Areas of work
AI fashion photography.
I develop AI fashion photography and editorial imagery around a clear visual concept. Colour, materials, styling, makeup, lighting and composition work together to create a series in which individual frames have their own character while belonging to the same visual world.
The four series below explore different approaches: colour as architecture, handmade materials, pigment and movement, and optical perspective. These are generated editorial photographs, with post-production in Photoshop. They show the visual language I can bring to a fashion campaign or a creative team.
Concept and styling
I build the series around a visual idea and coordinate the setting, clothing, makeup and accessories. The concept guides the colour palette, materials and the relationship between the model and the space.
Light, composition and movement
I vary lighting, poses, framing and camera perspective to keep each photograph distinct. Depending on the series, flash, controlled motion blur or optical perspective become part of its visual language.
Generation and post-production
I generate the photographs and refine them in Photoshop. Attention to textures, material weight and image consistency helps maintain a coherent series without making every frame identical.
Selected projects
Open a series to explore the photographs and the concept.
COLOR CONSTRUCT
Saturated colour, geometric studio installations and coordinated styling, held together by a graphic fashion language.
MATERIAL FANTASIES
Paper, wood, fabric and handmade constructions, with visible textures, seams and physical weight.
PIGMENT IN MOTION
Airbrush-inspired colour and fabric in motion, with flash, overspray and controlled motion blur.
RELATIVE BODIES
Two models and experiments in scale, focal length and perspective; the optical effect changes the reading of the body.
For brands, agencies, studios and creative teams. Send me your brief, references and the role you need me to take on — a complete production or a specific stage.